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About Us
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   Kikik Kollektive is an independent artist collective based in Iloilo, Philippines.

   In the Hiligaynon tongue, “Kikik” is the cicada - a creature that waits in the deep silence of the earth before emerging to offer its wild, persistent chatter. This sound is a sonic witness to a healthy, living ecosystem. To hear the Kikik is to know that the world is breathing, interconnected, and whole.

   Our work is shaped by the rhythms of our archipelago. We understand that we are defined by the tides that move between us and the mountains that hold us. We aspire to ripple these sounds through public art, socially relevant exhibitions and workshops, intimate gatherings, and social design, amplifying the stories that refuse to be flattened by global sameness. Our practice is a slow, rhythmic tending to the "soft animal" of community, grounded in:

  • Local Dignity and Self-Reliance: Honoring the quiet genius of the rooted, the specific, and the wisdom held in our own kagulangan and katigulangan.

  • Communal Reciprocity: Relearning the ancient, messy, and beautiful art of dagyaw- of belonging to one another across the currents.

  • The Revitalization of Public Spaces: Transforming the paved and the neglected into sanctuaries where the soul finds its place in the sun, from the eskina to the purok.

  • Public Imagination: Widening the cracks in the familiar to glimpse the startling possibilities that lie beneath the surface of the "normal."

   We believe that when we reclaim our spaces and our stories, we are responding to the call of a wild, reverberating world. We invite you to listen to the chatter, to join the song, and to remember the Land as a conversation we are finally learning to join.

OUR PATHWAYS

At Kikik Kollektive, we dwell in the vibration. We think of our work as a tymbal - that thin, frantic membrane used by the cicada to translate its inner pulse into a world-shaking hum. In a time of "global sameness," we find our footing in the cracks, the local, and the beautifully unfinished.

These are the five movements of our resonance:

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NARRATIVE MURALS AND INSTALLATIONS

   These works are birthed from the deep, enduring wisdom of the locals - the keepers of the soil and the guardians of the street. This pathway is about being fed by the community before a single stroke is made. It is about returning that nourishment to the mud and the passersby, turning public spaces into living storybooks that breathe with the ghosts and dreams of the land.

ZINEMAKING AND INSIGHTS-CIRCLE

   The revolution is often handmade and stapled at the edges. Focusing primarily on the youth, this path is an invitation to defect from the polished, algorithmic control of mainstream media. Through the tactile grit of zinemaking, the next generation is encouraged to own their distinct, stuttering, and magnificent voices. It is a practice in reclaiming the narrative, proving that we have unique and vital stories to tell beyond the Western-centric templates and aesthetics. 

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SOCIALLY ENGAGED EXHIBITIONS AND PERFORMANCES

   There is no looking away from the contemporary fractures of Iloilo or the world at large. Our exhibitions and performances are designed to be uncomfortable, unafraid, and unbound -curating spaces of friction where art meets urgency. Here, we invite the public not just to witness, but to fall into the heat of difficult questions and find collective ways to get lost together.

INTENTIONAL COMMUNITY WORKSHOPS AND GATHERINGS

   There is a fierce, quiet dignity in the "low hum" of the shared table. These gatherings are anchored in the local - a celebration of our roots and the art of "making alone, together." It is a ritual of proximity where individual hands do the work, yet the collective spirit carries the weight. In this slow, intentional space, we cultivate the resilience of belonging and the sacredness of the ordinary.

UNLIKELY COLLABORATIONS

   This pathway seeks out the "other" - the scientists, the farmers, the strangers, and the skeptics - to find what grows in the spaces between us. By stepping outside the comfort of the familiar, the collective embraces the awkward, beautiful tension of working with the unexpected. It is here, at the edges of collaboration, where the most transformative vibrations are born.

THE TEAM

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Major Projects

Artivism 1.0

KIKIK 1.0

Artivism 2.0

KIKIK 2.0

Artivism 3.0

KIKIK 3.0

Artivism 4.0

Artivism 5.0

KIKIK 4.0

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portfolio here

About
Localization. Communal Reciprocity. Public Space Revitalization.
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KIKIK KOLLEKTIVE
ILOILO, PHILIPPINES

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